The same old mistakes: Emerging practices, the cult of timidity, underpayment and overwork.

Last week, two things happened related to early stage architectural practices. Firstly, it was related to me how a young architect had started working with a larger practice because she was sick and tired of the overworking, underpaid and disorganised nature of the seemingly emerging practice that she was in. A practice that might be described as a social media icon. I then went to the Architeam Awards, and it was great. This is my favourite tribe of architects. Of course, as everyone knows I am positively biased towards Architeam after the RASP project.

Architeam Awards

It was a great party, and for those who know me I am trying to party as much as possible during this end of year architectural season, and it makes the AIA awards seem like a dreary and pompous affair with the alcohol. The Architeam awards are a fun, less formal and more casual party where everyone gets to mix and actually talk. No long drunken monologues form the small coterie of architects who get the awards all the time. Architeam is a diverse organisation with its base in the architectural community. It is a cooperative governed by a diverse elected board. This year there were six judges for all the awards categories, perhaps a better system than what the AIA does.

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As my favourite professor once said to me, “just tell the practice students it’s all about the money.” As a small practitioner or any kind of practitioner for that manner, it is much cheaper to be involved in the Architeam awards than the AIA awards. They even have a Youtube clip by Bowerbird to help architects prepare their award for the mass media.

One of the more exciting awards was for the Contribution & Innovation Category.  This Award is to recognise contribution and innovation to architecture beyond the design and production of buildings.

Commendations were jointly awarded to 4 entries in the Contribution and Innovation category: Accessibility in the Built Environment by Visionary (now that I am actually disabled I think Mary Anne Jackson is excellent): New Architects Melbourne (NAM) by New Architects Melbourne (NAM); Sydney Architecture Walks by Eoghan Lewis; and Our City Our Square campaign by Citizens for Melbourne – all contributed greatly to Australian Architecture in a variety of innovative ways.

It was great to see Our City Our Square campaign by Citizens for Melbourne get an award as well as (NAM) by New Architects Melbourne. I am not sure either of these groups would get an award in the AIA system.

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Emerging Architects and Politics?

But lest you think this blog is just an Architeam love fest: one of the more interesting comments made to me by a winner on the evening is that “young architects are not interested in community advocacy and politics” and seemingly uninterested in being engaged in public advocacy.

Both of these tales, made me wonder if our young early-stage practices are making the same mistakes like those made in the past.

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Mistake One: Not speaking out (plus mistake 1A misuse of social media)

A disengagement with urban and local politics motivated by the fear of not getting work if a particular practice or a group takes a position or a stand. Let me be savage and cynical, I am over the wishy-washy view of architecture with its comb-over of good intentions: sustainability, saccharine placemaking and a residue hipster style social media presence.

For some, it’s all about the emojis and the insta-likes. Oh, gee whiz, I just posted another exotic image of a long-lost fragment of brutalism. Let’s see some insta-images from architectural influencers that mess with people’s heads rather than saccharine gumpf (mistake 1A). I am over the mild-mannered, but a little bit quirky, modernism; you know a little bit Eamesy, the limed wash joineries, the laminated timber tables, the affectation of funny windows, the micro snapshots of architectural ephemera, and the cult of vibrant youth studio pictures. It looks all so perfect, but is it? How can it be perfect when everyone is getting overworked and underpaid.

It goes without saying that architects will not add value to public debates, or achieve a policy presence unless the emerging networks of young architects are more militant. Policy advocacy and militancy are sorely needed in the profession.

I don’t know what it is about the AIA that makes them so weak. Others would use harsher terms. Sure, I know lots of people on the various chapter councils. Many are excellent and notable architects. But maybe it’s something to do with governance, the lack of leadership and management capabilities, or the spineless devotion to not rocking the boat. Meanwhile, all of the other interest groups in our broader industry have no compunction in pushing their own agendas.

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Mistake Two: The same old same old of traditional practice. 

Small and newly formed practices have a chance to make it different. Practice culture is set in the first year of practice. Sure, small scavenger practices are all desperate to get jobs and survive. But overwork is not going to get you there. Have a business and marketing strategy and shit have an actual business plan. Get your practice organised with a few basic systems at the beginning of the practice. Basic business accounting systems, contact databases, timesheets and actual strategy.

Think about how you will manage staff and outline some goals. Pick up on a few managerial skills. Learn how to collaborate with others. Go and network and coffee with other people who are not architects even if that means not getting desperate about cutting your fees for that next miserable job. Talk to some of the marketing consultants who know the profession well. And for fuck’s sake don’t underpay, or overwork, your female staff members compared to your male staff.

All of this is about building your small practice infrastructure and capabilities ahead of time. Instead of falling into a miasma of panic, desperation and making it up as you go along.

The design studio cult of overwork, underpaying staff, long hours, bidding for low fees, should not be a part of the culture of newly emerging practices. Starting a practice is an opportunity to change this and set a new culture and explore new ways of doing architecture. The firm’s that do this now, without following the path of traditional practice culture, will be the ones that will survive and prosper in the future.

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Getting back into it 

If I was to start practice now, rather than when we did in the early to mid-90s, I would probably do it all differently, everything has changed, but its like we keep making the same mistakes.

Yep, even I would be up for starting a small practice and this time around I am thinking of a ground-up tribe of practitioners working collaboratively, with great governance, considered strategy and an activist architectural politics. Not only do we need ground-up professional organisations but we also need ground-up and community-based practices.

Let me know if you are up for it. I reckon a collaborative group of six to twelve architects (plus a few poets or painters or performance artists) would be enough to keep everyone employed and well as enough to quickly kick ass. The time of the traditional practice is over.

 

Advocacy not Awards: The awards categories you won’t see.

My local branch of the AIA had its awards jury presentations last weekend. I wanted to go and have a look at few categories. Sadly, an impending conference paper deadline prevented me from attending. I might go to the awards ceremony I am hoping they will get out the red carpet this year and then there might be a few protests like the one above at the Baftas.

But like all good awards punters I had a look at the form guide. It was ok as far as lists of architecture go. As someone reminded me during the week the culture of architectural practice in my city is vibrant and well developed with its own legacies, tribal distinctions and pecking orders. The stability of this pecking order never fails to amaze/annoy me. I remember when I went to the awards presentations one year after a significant absence and felt like I was returning to my old high school. I wondered, what has really changed in 20 years since I left architecture school. Same principal, same deputy principal, same prefects and house captain’s same acolytes and lackeys. Same old, same old, so called “rebels” and other people on the outer. Which was actually just about everyone else who wasn’t in the principals group. Everyone in their place, certainly not a lot of difference and inclusion, as Roy Grounds was reputed to say: “Melbourne is a rich smug city.” There is a downside to existing in a city with a strong practice culture.

I love this chart by Deb Verhoven mapping the awards in the Australian film industry. I am sure this the same in the architecture awards networks.

Even so despite my misgivings and raw cynicism, even though I couldn’t go to the presentations this year I had a look through the categories there is really a lot of very impressive architecture in each category. The small category for small and micro projects was a stand out.

Anyway the categories for the Australian National and Victorian awards go like this and both have pretty much the same structure: Public Architecture, Educational Architecture Residential Architecture – Houses (New), Residential Architecture – Houses (Alterations & Additions), Residential Architecture – Multiple Housing, Commercial Architecture, Heritage, Urban Design, Small Project Architecture, Sustainable Architecture, Enduring Architecture (What is this exactly?), International Architecture And of course that great anti Trump Tariff award: Category A1: Colorbond® Award for Steel Architecture.

Yada, Yada, Yada.

Raisbeck’s Form Guide

So after checking out the categories I set up my Ladbrokes account app on my phone, where you can bet on the wards, and decided to put my money on the following in the Victorian Architects for the Awards. So here is my quick guide to the firm.

In Small I like Brickface Austin Maynard Residential its kooky and small should be kooky. I am sucker for the cute brickwork.

In Residential Alts and Additions I like Templeton Architecture’s Merriwee. Those bricks are fantastic. So Yassss !! maybe I am a real sucker for the brickwork If architects cant do great brickwork who can? I wouldnt give any of my awards to Rob Mills because everytime I open the internet I am delivered a targeted ad for this firm. Mills should check his advertising algorithms.

In New Housing: Compound House, (although I like the Panopticon but maybe it’s just the name and the Foucault reference). In Public Architecture: I like the cop shop for Melbourne’s most disadvantaged outer suburb.

In education I was worried this category was going to be full of middle brow aluminium external panelled with sanitised teaching spaces. But I was relieved to see 18 Innovation Walk Revitalisation Project by Kosloff Architecture, Callum Morton and MAP (Monash Art Projects). Maybe these guys don’t deserve it because they have been such baddasses with form, but hey why not. In multi residential my pick is: Nightingale 1 by Breathe Architecture It would be criminal if this did not get the award. There rest of the category is train wreck that deserves a dissertation on it own about the corrupting influence of developers on architects.

So after placing a few bets, I am thinking all of these award categories don’t really do architects justice. There awards system in this country is too object focused. It’s remarkable that for the professional bodies to devote so much of their marketing efforts on the awards for architect design buildings.

Even Architeam has an award for unbuilt projects and an award entitled contribution. I think that is great idea.  I was judge for them in 2013 and they never asked me back. They have a slightly different system to the other professional body.  One jury to judge all the categories. That can be ok. The year I did it here were 3 or 4 of us. Last year there were seven on the jury and of course, it is said that, the egos came out and the project I was involved with as a client, I think, was shafted. I think the let’s be precious and not give out too many award’s brigade held sway. Architects need to give out more awards rather than less.

More is More and not Less

So it goes without saying architects need broader categories of awards if we are to successfully market the profession in the new millennia. So it would be great to give out awards each year for contributions to research, architectural education, public advocacy (the anti-Apple crew), or one for sustainable advocacy, or design leadership and of course business leadership, or maybe just leadership in the profession. How about an award for Parlour ? Or an award for architectural media? Or an award to someone who has done a lot to promote Melbourne Architecture to the world ( I am thinking of you know who)? By this strategy you might even get some people from outside of the profession of architecture to participate in the judging.

Or maybe, you could also do critical negative awards. I am thinking best hot-shot firm from overseas who gets the commission, fees, publicity and then leaves town. Leaving the town looking, and living with a dog of a public building (will this be Apple?). In parochial parlance this award could be called the Wombat award. Or maybe, a Weinstein like award for the best octopus like local star architect or director and then you can have awards for the most exploited student, or recent graduate, or most underpaid mid-career female architect. I won’t go on.

Is the profession so moribund and stuck in its parochial awards culture that it can’t get out of the rut of only thinking about buildings? There are a lot of architect’s out there who aren’t architect’s in the narrow and traditional sense and their contributions should be recognised. Plus, we need to recognise both architects and firms at all stages of their careers.

Maybe if we had more categories and more vision, I would stop thinking, in my more cynical moments, that the awards systems is just replicating a favoured circle and narrow canon of bourgeois, liveable and sustainable slop and that only the chosen few will ever get the prizes for.

The featured image above was taken by Hannah Mckay of Reuters.